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Khulla Dhoka

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108 DOORS ? THE UNEXPECTED ANSWER

"La réponse imprévue" by René Magritte copyright 2004 Charly Herscovici

Khula Dhoka.... A journey through the world of imagination….

‘The Door’ symbolizes an idea, the door to dialogue, with its duality, its material but also conceptual quality, leaving us free to come or go, closing us in or letting us out. Rousing feelings of security or oppression, comfort or aggression, representing the door to freedom or imprisonment.

Nepalese of all social, cultural and philosophical backgrounds are familiar with this symbolic association with the door in society at a physical or abstract level. One hundred and eight doors have been envisaged for this project as this number is associated with spiritual significance in Nepal. Different doors could be painted to illustrate the associations this theme rouses in them. A door thus becomes a shared plane inviting us to reflect, dialogue - on a democratic footing. The door can appeal to the peoples' imaginations as a real concept...yet others may illustrate it through pieces of their poetry or prose.

One hundred and eight real doors, a territory to share physically and mentally; to open or to close in complete liberty. This community project focuses on inter-cultural awareness and acceptance between different communities in Nepal. It seeks to open a dialogue between Nepalese from different social, cultural and religious groups. Khula Dhoka will provide these people an innovative and novel opportunity to learn about each other, understand each other and find ways work together on achieving a common goal.


Khula Dhoka “Would you dare to share?”

Opening a Door....Making the first step towards

  • That which is unknown to us

  • That which we know little about

  • That which frightens us

  • That which we might consider dangerous

  • That which may liberate us or imprison us

Being the Door

  • The immutable vertical axis, which draws its strength from the goodness of mankind and whose compassion spreads the message of harmony across the world.

  • The soft horizontal axis, which bridges communities and unites worlds, the unifying factor between two beings in disagreement, conflict or who are ignorant of each other. Humanity aims for peace, harmony within families, within cities and between people. Each one of us has the power and the duty to participate in this timeless dream.

  • Today, we have consciousness, knowledge and means to reach it. But this requires the participation of: children, elderly, sick, businessmen, housewives, postmen, doctors, teachers, politicians, journalists, artists, religious figures…and all. We must dare to be creative in order to open the doors of dialogue. Today, every glance, every word should lead to peace: Consider that what you just said, and weigh if it could lead to peace. We might be naïve but with determination we can secure a future for our children and the future generation. Humanity needs a daring and innovative generation to safeguard ideals of peace and compassion.

General Considerations

The project requires four conditions:

  1. to present a slide show of doors from the world over are designed to spark the powers of imagination.

  2. to preserve the symbolism of the door

  3. to take different forms of expression

  4. to provide a meeting space for people from different cultural, ideological, and religious backgrounds

  5. to launch them together in a concrete project, which makes them focus on opening doors for dialogue

  6. to present the doors as works of art at the gallery.

Objectives:

The objective of the project is manifold. It is designed

  1. to promote a shared work of reflection, encounter and creativity as an incentive for dialogue, partnership and peace.

  2. Promote and spread the values of humanity

  3. Unite people from different backgrounds and encourage them to work together and create a harmonious exchange between themselves.

  4. Involve these individuals to reflect on the meaning of "doors".

  5. Enhance relations between people coming from the different communities and backgrounds.

  6. Stimulate the initiatives of different ethnic communities and minorities towards a dialogue of common civic goals.

This community art project seeks to enhance encounters between disparate social, cultural and religious communities. This could be achieved through a deeper understanding of the founding texts scriptures, sacred or not, that encourage the opening of dialogue and brotherhood. It also aims to make all the vast classical humanistic masterpieces, the most articulate thoughts, research in Human Sciences accessible to the larger public and to those unfamiliar with these concepts.

To reach these objectives, this project will bring together intellectuals, researchers, religious figures, writers, poets and artists, dedicated to sharing their thoughts and art to the disposal of those who have little access to them, especially students, teachers and families.

Project Plan:

The collection of doors

  • Contact possible NGO’s and interested businesses for sponsoring

  • Write a professional letter to inform sponsors

  • Estimate the price of the doors and paints

  • Decide on their contribution and representation in the project

The doors

  • The “doors” do not have any definite criteria

  • Tibetan hanging cloth, glass doors, wooden doors, windows (anything that keeps the symbol of the door)

  • 108 doors – due to the great religious significance of this number in Nepal

Involved Communities

  • Contact different communities and children to participate

1. Buddhist/Christian

2. Hindu/Muslim

3. National/International Artists

4. Homeless

5. Homosexual

6. Disabled

7. Maoist/Army

8. Prisoners

9. Dalits/Tribals

10. HIV positive

11. Refugees/IDP's

12. Street Children

13. Drug Addicts

14.SingleMarginalized Women

15. Others

  • Introduce the different communities to each other

  • Create an awareness between the different communities

  • People from various walks of life, professional artists and students will also participate in the project

The organization of workshops

  • Bring Nepalese and international invitees together in a large suitable area

  • 2 Nepalese/international invitees from different communities per door

  • Provide all necessary materials

  • Paint, brushes, aprons etc…

  • Provide snacks, water and drinks for participants

  • Professional artists, adults and students will also be involved in these workshops

  • Organize three workshop days to allow time to complete the doors

  • Doors to be sold at exhibition and proceeds given to charity OR doors to gifted to be installed in public venues

Reflection Component

  • Poems and texts reflecting on the meaning of the door and its symbolic importance will also be written. These will be documented and compiled as a souvenir catalogue

  • Ten poems will be selected to be turned into musical pieces. Contact possible musical groups interested in participating in the project

  • A wall of written pieces will be created with all the texts and poems written during the process.

  • A selection of poems and door paintings will be printed on flex banners to facilitate the transport of the exhibition to other national and international venues.

Documentary

  • A documentary will be made on the process of the entire project

  • Filming will take place during all workshops, interviews, and special events building to the final exhibition.

Raising Awareness

  • Possible interested reviews: ECS, The Nepali Times, Himal Khabarpatrika, The Himalayan Times, Annapurna Post, Kantipur, Samay plus various TV channels

  • Ask them to promote the project and raise awareness about it in Kathmandu

Previous Exhibition in Belgium

Opening Friday 15 October

Exhibition from 16 October until 7 November at

Musées Royaux des Beaux Arts de Belgique, access Museum of Ancient Art 3 rue de la Régence-1000 Bruxelles

WITH THE PARTICIPATION :

Of Musées Royaux des Beaux-Arts de Belgique

Of Charline Mahy, artist

Of Wolu culture

Of World Conference for Religion and Peace WCRP

Of Fonds Parvati

Of Bibliothèque publique locale de Woluwé st Lambert

Of Françoise Tack Photographe

Of Culture and Democracy

Of Maison Poesie Enfance



"Khulla Dhoka"
"Khulla Dhoka"
Open Doors

16 Painted doors are :

Artists' Name with Price

1. Chandra Shrestha & Wicki Van De Veer (USA) 25,000

2. Pradip Bajracharya & Lama Ugen (Rigon Tashi Choeling Monastery) 27,000

3. Ashadullah Asad (Pakistan) 27,000

4. Prakaash Chandwadkar (India) & Viplob Prateek (Poet) 27,000

5. Batsa Gopal Vaidya & Shashi Shah 40,000

6. Mahabubur Rahman (Bangladesh) 40,000

7. Loren Beven (UK) & Lila Thapa / Damodar Gautam 27,000

8. Masanori Yoneda (Japan) 27,000

9. Subina Shrestha 18,000

10. Prasanna Ranabahu (Srilanka) & Pralhad Gurung, Jhapa (IFACA -Bhutan) 18,000

11. Kishor Rajbhandari & Celia Washington (UK) 25,000

12. Bikrant Shrestha 25,000

13. Sudershan Rana & Rolf A. Kluenter (Germany) 27,000

14. Sharanu Pareet (India) 18,000

15. Sunita Rana & Sandhya Pahari / Manoj Neupane 27,000

16. Erina Tamrakar & Mani Lohani (Poet) 27,000

 

6 Photographs by Herbert Grammatikopoulos are:

1. L10 20392 Palpa: Beautiful house in the wintersun, Naayar Hortia

2. L10 30540 Mustang, Kagbeni: Entrance of the castle

3. L11 70269 Tibet, Zuangtse (Giantse): Monk in the Zha Shen Lunbu monastery

4. L10 70740 Tibet, Lhasa: Inside Jokhang temple

5. L11 10118 Patan: Beyond the golden temple

6. L11 10787 Kathmandu, Pashupatinath: At the Bagmati river

Photographs With Frame Photographs Without Frame

Big Size Rs.6000/- Big Size Rs.5000/-

Small Size Rs.4000/- Small Size Rs.3400/-